Guimaras Island Hideaway - Baras Beach Resort

Canon 40D, EF24-105mm L IS USM, f/11, 1/500, ISO400 

For two consecutive mornings, I woke up and rose to this sight. The bed in the cottage I was occupying has been cleverly positioned in such a way that the foot-side faces the veranda where this view greets the occupant when one arises from sleep.

It has been a long trip.  Thanks for the direct flight of Cebu Pacific from Cagayan de Oro to Ilo-ilo and their promo sale, direct travel between these two cities by air has become a reality.  After arrival at the airport I took the van that goes to the SM Mall and got off the area where jeepneys going to the Ortiz Ferry Terminal pass-by.  The 30 pesos ride on board the 40 seater motorized banca to the Jordan Port of Guimaras somehow gave me time to relax before another long trip towards my final destination, the Baras Beach Resort.  

Canon 40D, EF24-105mm L IS USM, f/5.6, 1/1250, ISO400

20-30 minutes later, I was making my way out from the Jordan Port but not missing this very important notice in the docking area. 

Guimaras needs to protect their most important produce, the mangoes.  

As per instruction, I have to take a tricycle from the Jordan port towards the Alubihod Port in Nueva Valencia where I will be met by a resort representative who will ferry me to the resort.  The 300 pesos I paid the tricycle driver included a tour and stop-over of the few interesting places on the way. 

Canon 40D, EF24-105mm L IS USM, f/10, 1/100, ISO400

Canon 40D, EF24-105mm L IS USM, f/11, 1/800, ISO400

I skipped the rest of the stop-overs, except for the Trappist Monastery.  I spent a few minutes inside their church, just trying to feel the serenity of the place.  











I got the chance to chat with one of the monks who informed me of their 'pasalubong' center down the path.  Their 'salabat' powder was good and of course, their mango jam.

Canon 40D, EF24-105mm L IS USM, f/8.0, 1/1000, ISO400

I arrived after an hour or so, including the stop overs in the monastery and other areas on the way. The road from Jordan to Alubihod was almost deserted. 

Canon 40D, EF24-105mm L IS USM, f/11.0, 1/2000, ISO400

The resort banca was still on its way, so I took the time taking pictures of a few interesting scenes at the jetty. 

Canon 40D, EF24-105mm L IS USM, f/8.0, 1/2000, ISO400

- of the deep-sea fishing boats moored for the day, awaiting the high-tide later that evening to bring them to the farthest part of the sea.

Canon 40D, EF24-105mm L IS USM, f/11.0, 1/1250, ISO400

- of the workers beside the jetty, turning over sheets after sheets of salted fish making sure they dry perfectly.  

Scenes uncommon in the bigger cities ...

The boat ride took around 15 mins. Baras Beach Resort is hidden in a sheltered inlet. Upon entering the bay, you will see several cottages built on the cliffs each hovering on the coast overlooking the sea and surrounded by verdant foliage. The resort has a total of 10 cottages with rates starting at P700. 

Canon 40D, EF24-105mm L IS USM, f/11.0, 1/400, ISO400

There was only the group of Australian tourist, 4 of them, and me who were in the resort, so we kind of owned the place for that weekend.  I skipped the snorkeling, boating, and other water sports activity available.  All I wanted was to relax, eat and relax.  That was the MAIN purpose of this particular trip.

Canon 40D, EF24-105mm L IS USM, f/11.0, 1/500, ISO400

The resort has one of the better places in the area to witness sunsets.  I was joined by the other guest as we watch the sunset over the horizon.  

Canon 40D, EF24-105mm L IS USM, f/11.0, 1/80, ISO400

At the resort, it was back to basics.  Electricity was only available from 6pm-10pm through generator power.  No TVs and the likes. Cellphone signal was weak that you'd be discourage to receive and make calls.  Its just you and nature.  

Canon 40D, EF24-105mm L IS USM, f/8.0, 1/30, ISO400

Breakfast in the resort was the typical 'silog' type. Fresh seafood cooked in a variety of ways was my lunch and dinner during that weekend-stay, healthy-eating as they say.

Jing-jing, the 4 year-old grand daughter of the owner became the guest-relation-officer during that weekend. She would gladly approach any guest and strike a conversation or two, much to everybody's delight.  She was even game to pose for the camera!

Canon 40D, EF24-105mm L IS USM, f/4.0, 1/320, ISO400

As i was discussing with the staff about my return trip to Ilo-ilo, I cant help but start missing the place.  I am comforted by the fact though, that I am fully rejuvenated and ready once more to face the fast paced city life. I surely will come back here in the near future.  

Canon 40D, EF24-105mm L IS USM, f/11.0, 1/160, ISO400

The Mansion - A Visit To A Distant Past

Canon 40D, 10-22mm, f/11, 1/160, ISO400

Having arrived a few days before the Street Dance competition of the Masskara Festival gave me enough time to explore city proper of Bacolod.  

Around the area of Lacson-Bs Aquino streets I found a couple of antique stores and shops selling reasonable-priced antique items.  If only i don't have baggage limitations in my flight ... 

Still with more time left, I decided to check-out the Mansion which I learned from a brochure I got at the airport arrival hall.  Upon checking with Google maps during lunch at the Robinson's Place, I was already in the right area that would allow me to go to the place by just taking the jeepney. 

I took the jeepney heading towards the Talisay City direction, then dropped-off at the intersection of Lacson-Hilado Sts., at the corner where the Pepsi Plant is.  There I hired a tricycle for 100 pesos that brought me to the mansion, waited for me, then returned me to that same corner.  Don't hire one way only.  Tricycles seldom go into the area that you may end up walking to the highway, 20-30 minutes away.

Canon 40D, 10-22mm, f/11, 1/160, ISO400

Situated in the middle of a sugar cane plantation, this ruins that has withstand time looks imposing and haunting. The mansion which was one of the grandest during its era was owned by Don Mariano Ledesma Lacson. It was built in memory of his Portuguese wife Maria Braga whom he met in Macau.  The guerrillas burned down the mansion for fear that the Japanese forces would use this as their headquarters during the war.

A fee of P75 is collected at the entrance. There were no other visitors when I arrived so I took the opportunity of exploring the place and taking photos. Accordingly, sunrises and sunsets in the mansion are beautiful.  The ground floor of the building has been converted to a cafe where one can order refreshments. 

Canon 40D, 24-105mm L IS USM, f/16, 1/80, ISO400

The afternoon sun was getting hot that I took time cool-down and sat in one of the shady parts of the garden to relax and feel the breeze.  Visitors on board rented vans have started to arrive and have started their own exploration of the building and the garden. 

I started packing up my gears and headed outside the compound to where the tricycle was waiting.  Sunrise and sunset in the mansion will be my reason for visiting the place the next time ill be in Bacolod, that will be during the 2012 Masskara Festival.

Canon 40D, 24-105mm L IS USM, f/11, 1/80, ISO400

A Celebration of Dance - The Masskara Festival

Canon 40D, EF24-105mm f/4L IS USM, f/8, 1/600, ISO200

Celebrated every 2nd or 3rd week of October in Bacolod, the highlight for the 2011 month-long festival fell on the 15th and 16th.  The street dance competition is the apex of this festival when representatives from the various schools and barangay categories strut their moves to the beat of the drums and most important, don their most colorful smiling masks and costumes that gives life to what is widely known as the Masskara Festival.  

Having arrived a few days before the Saturday and Sunday street-dance competition, gave me enough time witness some of the activities prior to the weekend event.

Canon 40D, EF24-105mm f/4L IS USM, f/8, 1/30, ISO800

There was the final judging of the Masskara Headress-Costume contest held in one of the malls. 

One gets to see the various headdresses and costumes that will be worn during the competition.  One striking fact when you examine the headdresses was that most if not all are made from indigenous materials.

Canon 40D, EF24-105mm f/4L IS USM, f/5, 1/30, ISO800

Canon 40D, EF24-105mm f/4L IS USM, f/5, 1/30, ISO800

One can also marvels at the artistry that went into the intricate design and composition of the head gears and costumes.

Part of Lacson St., known as the Tourism Strip, was closed for the Electric Masskara and Giant Puppet parade.  The side-streets were also lined with food-joints. Various bands were playing set in small stages placed at various parts of the street as the parade was ongoing.

Canon 40D, EF24-105mm f/4L IS USM, f/5, 1/30, ISO800

 

Canon 40D, EF24-105mm f/4L IS USM, f/5, 1/30, ISO800

The photographers pass allowed me to go up close and personal with the participants as 
they performed. 

The Camera Club of Negros has been designated by the Silver Masskara Festival Org. Inc., as the official organizing group for the visiting and local photographers and videographers who would be documenting the festival.

The length of Araneta St. starting at the intersection of Lizares St., was reserved exclusively for those issued with the Photographers and Videographers Pass. 

Saturday was the first day of the Street Dance Competition for the Schools Category.

Canon 40D, EF24-105mm f/4L IS USM, f/9, 1/500, ISO400

Its hard to believe that most of the participants for the day's competition were elementary and high school students. Their execution were almost flawless and were almost in perfect unison.  Their months of practice did pay.

Canon 40D, EF24-105mm f/4L IS USM, f/4.5, 1/1000, ISO200

The following Sunday was the Barangay Category of the Street Dance Competition.  The crowd present was almost double than the previous day.  

Canon 40D, EF24-105mm f/4L IS USM, f/9, 1/800, ISO200

Each participant teamed for sponsorship from the various private business entities in the city.  Thus, it came out obvious from the costumes donned by the participants and the props they had with them.

Canon 40D, EF24-105mm f/4L IS USM, f/8, 1/800, ISO200

Schedules and other activities during the festival can be found on the masskara official website, http://www.themasskarafestival.com.

For 2012, the street dance competition will fall on the 20th and 21st of October.

Canon 40D, EF24-105mm f/4L IS USM, f/5.6, 1/650, ISO400

The festival has become a renowned event.  Both local and foreign visitors come to Bacolod to witness the event.  

As soon as you get to know the exact week the Masskara will take place, have your reservations already.  Accommodations ran out months prior to October. For the 2012 festival, I had my accommodations paid up as early as June.  See you there ...

Canon 40D, EF24-105mm f/4L IS USM, f/6.3, 1/1250, ISO400